April Reflections: New Tozer, Dunbar & the Return of Paul Jackson
As the days lengthen and light returns, we welcome new art with thoughtfully curated collections across diverse practices. Bringing together fresh exhibitions and works that quietly mark the beginning of our year where the nuanced colour of Cornish art and landscape meets the tactility of finely crafted pottery. Each piece sits in dialogue within our Cornish gallery.
Andrew Tozer: ‘Colours of the Sun’
This April, Andrew Tozer presents a body of work drenched in colour, a joyous collection in which experimental techniques have resulted in richly expressive compositions. For much of this series, Andrew has turned to acrylic, allowing for greater freedom and movement within his practice. Fluid layering of colour and dynamic brushwork combine to form his distinctive pieces.
Curatorially, the collection unfolds like a storyboard in our Falmouth art gallery. A collage of locations creates a sense of harmony through recurring colour palettes and familiar forms, with pairings of paintings that sit effortlessly alongside one another.
Colours of Spring, Helford River showcases a myriad of techniques, with clarity of brushstroke and complementary colour palettes, particularly the interplay of strong purples and yellows bringing a sense of balance and cohesion. The foreground delicately portrays blossom, while depth is created through the play of light in the distance. Compositionally, the work is both engaging and evocative. A masterful example of Cornish landscape art.
Emma Dunbar Spring 2026 spotlight
Our current spring collection celebrates exciting compositions and vibrant colour through the work of Emma Dunbar. Dunbar presents an exploration of familiar objects through rich, decorative representations. Working primarily in acrylic, her practice embraces a sense of playfulness informed by pattern, everyday settings, and domestic forms.
Dunbar describes her method as one in which she 'rearranges her objects', resulting in works that feel more atmospheric than literal. Her training as a printmaker is evident in her use of flat planes of colour and carefully structured compositions. Her work also draws inspiration from artists such as Mary Fedden, Milton Avery and Daphne McClure.
The Joy of Pink and Red exemplifies Dunbar’s playful approach to still life. Set against a bold red ground, the composition interprets the genre with both simplicity and energy. Familiar elements: a chair, bright blooms on a table, and a perfectly pink cake are balanced to create a scene that is at once intimate and visually dynamic.
The return of sculptor, Paul Jackson
Introducing new work by renowned ceramic sculptor Paul Jackson. Jackson qualified in Studio Ceramics in 1977 at Harrow School of Art. Following a short period of teaching in London, he relocated to Cornwall, where he established his pottery in 1979.
Jackson’s characterful, decorative pieces have found a natural place within our curatorial space. The collection reflects his painterly abstraction through richly expressive motifs and surface decoration. Inspired by his Cornish surroundings, these works feature playful designs and charming, evocative scenes. Each piece is first hand-thrown on the wheel, then subtly altered to refine its form, giving every pot a distinct and individual character.
Rocking Jug, Fish portrays Jackson’s experimental approach to form, paired with a decorative motif strongly inspired by life in Cornwall. The piece sits beautifully within a space celebrating the Cornish landscape, while its rocking form is both ergonomically functional and visually engaging.
Post by Gabrielle Gillow
Senior Gallerist